Description

Title: Art in Theory 1815-1990, Two Volumes
Author/Publisher: Paul Wood & Charles Harrison (Blackwell)
Publication Year: 1997
Format: Two Illustrated Paperback Volumes

2x Art In Theory 1815-1990 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

Synopsis

Authored by Paul Wood and Charles Harrison, *Art in Theory 1815-1990* is a seminal two-volume collection offering an unparalleled exploration of art theory across nearly two centuries. Published by Blackwell in 1997, this extensive non-fiction work is designed for an adult audience keen to delve into the intellectual underpinnings of modern and contemporary art.

This comprehensive set presents a wide-ranging anthology of primary source documents, meticulously tracing the evolution of artistic thought. One volume is dedicated to the period 1815-1900, providing an exhaustive look at 19th-century theories, while the companion volume covers 1900-1990, capturing the dynamism of 20th-century artistic discourse. It serves as an essential resource for understanding the diverse theories that have shaped art's trajectory during this transformative period.

• Nineteenth-Century Foundations: One volume is specifically dedicated to the period 1815-1900, offering the most wide-ranging and comprehensive collection of documents on nineteenth-century art theories, crucial for understanding the genesis of modern art.
• Twentieth-Century Dynamics: The companion volume covers the influential art theoretical developments from 1900 to 1990, presenting a rich tapestry of ideas that shaped Modernism, Postmodernism, and beyond.
• Primary Source Anthology: Across both volumes, readers encounter an extensive assembly of influential writings by artists, critics, and philosophers, providing direct access to the original ideas that defined and debated the nature of art throughout this pivotal era.
• Visually Enriched: The theoretical discourse within the books is enhanced by numerous illustrations, offering visual context and examples to complement the textual analyses and discussions of art historical movements and individual works.

This two-volume set remains a cornerstone reference for students, academics, and enthusiasts of art history and theory. Its comprehensive scope and direct engagement with primary sources make it an indispensable addition to any serious art library, offering a profound understanding of the ideas that have animated artistic practice and debate for generations.

Condition

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